Cape Town Collection

European classics and the rawness of Africa

The author’s collection by British designer Lis Watkins is dedicated to the Multi-Local trend, which is rapidly gaining popularity and can be traced in all spheres of life.

The mood of Cape Town

Lis Watkins has preserved the memories of her childhood in Cape Town and transferred the color patterns and the spirit of indigenous freedom to the fabrics. The staid colonial style is juxtaposed with a primal lust for life, the sounds of the djembe, and the bright colors that are beaded into beads, earrings, and bracelets.

Disappearing contrasts

The fusion of cultures in the world continues amidst a growing interest in the East and Africa. While people from the tribes emigrate to the cities, Europeans go to places where there is no hot water or cell phones, all to see with their own eyes the lives of others. Those who are so different from us. Those who are so much like us.

Animalistic prints and tai-dai.

Textured velvet with an animalistic print, repeating the skin of crocodile, white rhino, ghost frog, turns out to be unexpectedly soft to the touch thanks to viscose. Imitation of tai-dai technique enhances the feeling that the fabrics were brought to the metropolis from those places where they believe not in progress and civilization, but in ancestral spirits and gods who send rain or drought.

Colonial style

At the same time, Cape Town is also a European classic, a strictly corseted English rose, Victorian Bordeaux. Clear, as if repeating the cave painting of Africa, lines. Floral ornaments of colonial style. Impossible, unexpected, crazy – and therefore attractive combination.

Diversity of technologies

BARGELLO LEAVES imitates the Florentine Bargello embroidery technique. In this case, however, it is digitally printed onto velvet to create a design that is unusual for classic collections. Thanks to the looped embroidery of dense cotton, it was possible to achieve an identity with the original African fabrics and folklore patterns resulting from painstaking handwork. Batik and ikat in the collection are combined with floral patterns referring to the female part of the tribe and to the flowers blooming after the rains. The multicolored voluminous embroidery consists of 100% cotton threads on a coarse, colored canvas, which is particularly soft thanks to 45% viscose and 15% linen combined with 40% polyester. The composition of the fabric best reveal its beauty and emphasize how elaborate, unusual, spectacular and textured it is. The embroidery is very dense, made on a slightly translucent canvas and allows light to shine through the veins, creating a play of light and shadow in the interior.

Key Emphases

The main emphasis was placed on embroidery of voluminous threads of cotton and viscose, as well as on the combination of dense satin, soft velvet, upholstery shenille, natural cotton and linen, which fully reflect the spirit of African culture. At the same time, all attention was focused on the details and the overall mood. Cape Town is thus the result of how indigenous style influences global world trends.

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